srp https://unilib.phaidrabg.rs/o:6161 doi:10.18485/ccs_cs.2024.21.21.36 application/pdf 2067774 bytes All rights reserved Евстатије Поп Димитров, Андреј Биценко, Русе Крстић, иконостас, иконе Црквене студије number: 21 startpage: 559 endpage: 573 2024 ИКОНОПИС ПРВЕ ПОЛОВИНЕ XX ВЕКА У МАНАСТИРУ АЈДАНОВАЦ – ПРИЛОГ ПОЗНАВАЊУ ДЕЛА ЕВСТАТИЈА ПОП ДИМИТРОВА, АНДРЕЈА БИЦЕНКА И РУСЕ КРСТИЋА info:eu-repo/semantics/article Женарју Рајовић, Ивана Ђорђевић, Игњатије Урош У цркви манастира Ајдановца налази се иконостас конструисан 1904. године, као и неколико покретних икона, који до сада нису били предметом стручне анализе. Стога се у раду говори о овим иконама и њиховим ауторима. Анализа је показала да је иконе на иконостасу радио Евстатије Поп Димитров, Андреј Биценко две престоне иконе, као и једну икону и запрестони крст, а једну икону галички сликар Русе Крстић. A collection of icons from the first half of the 20th century can be found in the church of the Ajdanovac monastery, near Blace. Most of these icons are located on the iconostasis that dates back to 1904. The iconostasis has a plinth zone with new icons, four icons which are occupying central zone, along with the royal and north doors. Above them, there are icons of the Great Holidays and a big cross with painted Crucifixion of Christ on the top. All these icons were painted by Evstatije Pop Dimitrov from the village of Osoj in Debar. The two throne icons were in very bad condition, so they were painted again by the Russian emigrant Andrej Bicenko in the third or fourth decade of the 20th century. Bicenko also painted an icon of St. Petka and painted a sacred cross, also from this church. There is also an icon of St. George painted in 1926 by the little-known Ruse Krstić from the Macedonian village of Nistorovo. The importance of this collection of icons is reflected in the fact that they show stylistic changes and searches in artistic expression in our region, from the abandonment of zographic painting to the pursuit of academic realism.