o:1968 Poetika grada kao poetika romana: Sarajevo u opusu Dževada Karahasana The poetics of a city as the poetics of a novel: Sarajevo in the opus of Dževad Karahasan sr Da je grad istorijski i tehnički preduslov pripovedne proze, eksplicirao je Dževad Karahasan u svojoj esejistici, a potvrdio u svojim romanima u kojima su zbivanja smeštena u čitav niz velikih gradova Istoka. Sarajevo, međutim, u Karahasanovom opusu postaje više od toponima, simbol dijaloške kulturne paradigme, a odnos prema Sarajevu postaje mera bića Karahasanovih junaka. Opsada Sarajeva, nestajanje grada u ratu kojim je završen raspad Jugoslavije značajna je tema u Karahasanovom opusu, kao i pronicanje u njegovo značenje, dijalog sa Andrićem i polemika sa imagološkom idejom Bosne. U delu ovog pisca ne ispisuje se samo poetika Sarajeva, kulturološki višeslojnog i mnogoglasnog grada, nego se ova tesno povezuje sa poetikom njegovih romana. Naš je cilj da te korespondencije osvetlimo, istaknemo i protumačimo u kontekstu problema identiteta i imaginacije Drugog. Summary: Within the opus of Dževad Karahasan, Sarajevo is much more than a mere toponym: the city actively participates in the plot, defines the characters’ identities, and plays a role in their fates. The author uses their relationships with the city to define his characters more deeply, delving into the issue of identity and its dependence on culture. Being that Karahasan sees Sarajevo as the paradigm of interculturality and polyglossy, the city appears both as the living testimony of the novel’s content, and an embodiment of the structure of Karahasan’s prose. Not only is the poetics of the culturally multilayered and polyglossic Sarajevo written in the novel, but the city’s poetics gets tightly interwoven with the poetics of his other novels. In the world of Karahasan’s novel, being material and architectural, Sarajevo stands for the visible in opposition to the abstract. At the same time, for this author, Sarajevo is a city that integrates differences instead of annulling them, and thus it’s a place of authentic life, a different place, a heterotopia standing against the world of an „ever more complete uniformity”. The author explicates his own poetics in his essayistic reflections about the city, while the representation of Sarajevo stands in close connection to key poetic elements of Karahasan’s prose. We demonstrated this using the novel, which thematizes the siege of Sarajevo, as an example, as well as the essayistic literature that’s focused on the „city’s platonic being”. Ključne reči: Dževad Karahasan, Sarajevo, poetika, identitet, Drugi. Keywords: Dževad Karahasan, Sarajevo, poetics, identity, Other. 91552100 116079113 1552100 978-86-80596-11-2 1552100 978-86-80596-17-4 2023-05-16T14:47:06.519Z 44 no 46 Јасмина Ахметагић Институт за српску културу Приштина – Лепосавић 0000-0002-9919-8832 application/pdf 1254839 https://unilib.phaidrabg.rs/o:1968 no yes 1 70 92000004 71A06 Српски језик, књижевност, уметност: зборник радова са XVI међународног научног скупа одржаног на Филолошко-уметничком факултету у Крагујевцу (29–30. X 2021). Књ. 2, Роман и град: 50 година "Романа о Лондону", 100 година "Уликса" 607 615 2022